Monday, 3 January 2011

A Useful Guide

Some may take this as preachy. Others may wonder what the hell I know. I care not, this is my space and I'll post what I choose.

I have spent the last 15 years playing in bands. I'd played in bands for a while before that but we rarely gigged and were very crap. Once I formed Far-Cue with Badger, we started gigging heavily. Once I joined Frenzy, I gigged even more. Both bands provided many lessons, many experiences that I wish to put forth now, so for anyone thinking of starting a band read on and learn from my errors. I see a lot of local bands doing their first or second gig and I feel that if they were armed with this guide from the start, the world would be a better place for them...and me.

1) You are not more important than the person standing next to you.
And I don't just mean your band mates, I mean the audience too. So you can play an instrument, so you can sing. How do you know what they can do? The ability to do something does not elevate you above those that can't do it. This rule should apply to everyone from Bono to Bad News Bob. You are not special. You are there to entertain, not so that people can kiss your ass.

2) Your gear does not define your talent.
So often I go and watch local bands who spend hundreds - sometimes thousands - of pounds (usually paid for by the parents) on gear and they're shit. "All the gear no idea" as someone once said. Learn to play well, both in private and in public first, then worry about spending money on gear. Let me tell you this: when you start gigging often enough you won't want to spend money on gear. Your instrument becomes worn and damaged, covered in beer and sweat, and it can break your heart.

3) Once you have set your gear up. LEAVE IT ALONE.
Guitarists are the worst for this, followed very closely by drummers. They set their gear up, dial in a sound and volume, then proceed to wank themselves silly playing their latest riff or fill, thinking that the whole venue is interested in just how well they can play. Once you've established that your gear works, why carry on playing? What are you achieving? If you have a problem, by all means sort it out but if you want to warm up your fingers you can do it unplugged. Drummers too, set your kit how you like it then leave it. Its not going anywhere.

4) Be a set-list Jedi.
If you're going to be brave enough to play your own songs in a new venue, consider throwing in a crowd-pleaser every now and then. Its a drain on your audience's patience to constantly throw your own material at them. Reward them for this patience with something they know. They'll thank you for it. Also, if you're unsure of how a song may go down, park it next to one you know will be well received. It's like giving it support.

5) Watch the other guy.
I've seen many new bands commit this crime. You're not the only one on stage. Just because a song has gone a certain way in rehearsal, it doesn't mean it will go that way live. Watch everyone else before a song starts and definitely as it ends. They may do something, they may not do something. There could a problem - a dropped stick, a broken string, someone tuning up. Someone could be wiping the sweat from their face and as such will be unable to come in. You'll never know if you don't use your eyes.

6) Don't expect your friends to support you every time.
Your first few gigs will no doubt contain a great many of your friends and family. They won't be there every time. They won't experience the same giddy thrill as you do when you perform. They're proud of you, they just have lives of their own. Besides, it's good to escape from that safety zone, it gives you confidence.

7) Respect the landlord.*
Or whoever owns the place or is putting the gig on. You are one of many bands they get to play and if you don't want the gig or think you're above it, they'll find someone else. Refer to point 1. You are not special.

8) Don't do it for the money.
Do it because you love it. When you stop loving it, quit. There will be very little money playing the toilet circuit, so you need to find another source of motivation.

9) Plug up.
I don't do this, and I don't know anyone else who does either but, take it from someone with perpetually ringing ears: wear ear plugs. Medical science has not yet found a cure for tinnitus.

10) Just because you've packed down, it doesn't mean everyone else has.
Drummers go through hell with their stuff. If you're the lead singer and only had to pack a mic away, don't be a cunt. Help people with their gear. You'd appreciate it, so will they. Refer to point 1.

11) Only ten per cent of your time in a band is spent on stage.
The other ninety is spent doing boring things like writing, rehearsing, web site-ing, networking, negotiating, fixing vans, stealing microphones. Its one of the reasons you should really enjoy the time you get to play because the rest of it is hell. If you don't do the boring stuff however, you won't get the good stuff.

* Some landlords are impossible to respect because they're idiots. Do not play their venues.

Furthermore, though you should be appreciative of the gig, don't be ripped off either. If YOU accept a low fee for playing, then the landlord will use this as a ball park or example for other bands and you'll drag everyone down to your idea of pay. Go too high however, and you won't get to play. Use your common, and your self-respect. People rarely see what goes on behind the scenes and as such they don't know how hard you've worked for that hour and a half on stage. Make sure your audience rewards you with appreciation and the landlord rewards you with beer and money.

Simple isn't it. Now go. Do.

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